Interpretación figural e historia
español
Keywords:
Middle Age, figure, Time, Dante AlighieriAbstract
This article examines the german philologist Erich Auerbach's (1892-1957) analysis about the figural interpretation, a christian medieval hermeneutics in which both the historical and the veiled sense of the encarnation's previous facts coexist within a configuration that links horizontally past, present and future (like escathological expectations) in a plot underwritten by a transcendence that connects "vertically" the occurence to the divine plan. The Auerbach's discovery of this kind of interpretation, different from symbolic and alegorical ones, was first introduced in his article "Figura" in 1938, turning out crucial for both his argument for the particular type of literary realism in Dante's work (to whom he previously has devoted a book), and his later assessment about the changes in western literature ways of representation. But besides the interest that this would have for the literarature history in general, and for the Auerbach's work in particular, it implies a question that reaches different aspects of the christian medieval history in a wider sense and, furthermore, the reflectiveness on the different conceptions of temporality that encouraging the thought over the same materials of historian's work.
References
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Didi-Huberman, Georges (2008), Ante el tiempo. Historia del arte y anacronismo de las imágenes, Buenos Aires, Adriana Hidalgo.
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Le Goff, Jacques (1987), Tiempo, trabajo y cultura en el occidente medieval, Madrid, Taurus.
Le Goff, Jacques(1991), El orden de la memoria, Barcelona, Paidós.
Le Goff, Jacques(1999), La civilización del occidente medieval, Barcelona, Paidós.
Lerer, Seth (1996) (ed.), Literary history and the challenge of philology: the legacy of Erich Auerbach, Stanford, Stanford University Press, 1996.
Linstrum, Eric (2008), "The critic in exile. Rediscovering Erich Auerbach", Yale Review, vol. 96, No. 1, pp. 149-157.
Maine, Barry (1999), "Erich Auerbach's Mimesis and Nelson Goodman's Ways of worldmaking: a nominal(ist) revision", Poetics Today, vol. 20, No. 1, pp. 41-52.
Marramao, Giacomo (2008), Kairós. Apología del tiempo oportuno, Barcelona, Gedisa.
Nuttall, A. D. (2004), "Auerbach's Mimesis", Essays in Criticism, vol. 54, No. 1, pp. 60-74
Panofsky. Erwin (1979), Idea. Contribución a la historia de la teoría del arte, Madrid, Alianza.
Pastoureau, Michel (2006), Una historia simbólica de la Edad Media occidental, Buenos Aires, Katz.
Said, Edward (2004), "Erich Auerbach, critic of the earthly world", Boundary 2, vol. 31, No. 2, pp. 11-34.
Sazbón, José (2002), "La historia en las 'Tesis' de Benjamin: problemas de interpretación", en Historia y representación, Buenos Aires, Universidad Nacional de Quilmes
Steiner, George (2003), "Un grave júbilo. 'Mimesis' de Erich Auerbach", Punto de Vista, No. 77, pp. 43-48
Virgilio (1990), Bucólicas. Geórgicas, Madrid, Gredos.
Voloshinov, Valentin Nikólaievich (1992), El marxismo y la filosofía del lenguaje, Madrid, Alianza.
Adorno, Theodor (1995), Sobre Walter Benjamin, Madrid, Cátedra.
Agamben, Giorgio (2007), Infancia e historia, Buenos Aires, Adriana Hidalgo.
Alighieri, Dante (1995), La Divina Comedia, Barcelona, rba.
Ankersmit, Frank (1999), "Why realism? Auerbach on the representation of reality", Poetics Today, vol. 20, No. 1, pp. 53-75.
Auerbach, Erich (1952), "Typological Symbolism in Medieval Literature", Yale French Studies, No. 9, pp. 3-10.
Auerbach, Erich (1969), Lenguaje literario y público en la baja latinidad y en la baja Edad Media, Barcelona, Seix Barral.
Auerbach, Erich (1998), Figura, Madrid, Trotta.
Auerbach, Erich (2000), Mimesis. La representación de la realidad en la literatura occidental, México, Fondo de Cultura Económica.
Auerbach, Erich (2002), "Las apelaciones de Dante al lector", Diario de Poesía, No. 63
Auerbach, Erich (2007), Dante: Poet of the secular world, Nueva York, New York Review of Books.
Bakker, Egbert (1999), "Mimesis as performance: rereading Auerbach's first chapter", Poetics Today, vol. 20, No. 1, pp. 11-26.
Barck, Karlheinz (1992), "Walter Benjamin and Erich Auerbach: fragments of a correspondence", Diacritics, vol. 22, No. 3-4, pp. 81-83.
Benjamin, Walter (1998), "La enseñanza de lo semejante", en Para una crítica de la violencia y otros ensayos, Madrid, Taurus, pp. 85-89.
Benjamin, Walter (2006), El origen del "Trauerspiel" alemán, en Obras, libro i/vol. 1, Madrid, Abada.
Benjamin, Walter (2007), Sobre el concepto de historia, Buenos Aires, Piedras de Papel.
Blanchard, Marc (1997), "Mimesis, not Mimicry", Comparative Literature, vol. 49, No. 2, pp. 176-190.
Bloch, Ernst (1968), Thomas Münzer, teólogo de la revolución, Madrid, Ciencia Nueva.
Bloch, Ernst (2000), The Spirit of Utopia, Stanford, Stanford University Press.
Borges, Jorge Luis (1994), "La Divina Comedia", en Obras Completas, tomo III, San Pablo, Emecé, pp. 207-220.
Bremmer, Jan (1999), "Erich Auerbach and his Mimesis", Poetics Today, vol. 20, No. 1, pp. 3-10.
Buck-Morss, Susan (1995), Dialéctica de la mirada. Walter Benjamin y el proyecto de los pasajes, Madrid, Visor.
Calin, William (1999), "Erich Auerbach's Mimesis. Tis fifty years since: a reassessment", Style, vol. 33, No. 3.
Carroll, David (1975), "Mimesis reconsidered: literature, history, ideology", Diacritics, vol. 5, No. 2, pp. 5-12.
Cohn, Norman (1997), En pos del Milenio, Madrid, Alianza.
Costa Lima, Luiz (1988), "Erich Auerbach: history and metahistory", New Literary History, vol. 19, No. 3, pp. 467-499.
Damrosch, David (1995), "Auerbach in exile", Comparative Literature, vol. 47, No. 2, pp. 97-117.
Didi-Huberman, Georges (2008), Ante el tiempo. Historia del arte y anacronismo de las imágenes, Buenos Aires, Adriana Hidalgo.
Eagleaton, Terry (2003), "Pork chops and pineapples", London Review of Books, vol. 25, No. 20.
Fleischmann, Wolfgang (1966), "Erich Auerbach's critical theory and practice: an assessment", Modern Language Notes, vol. 81, No. 5, pp. 535-541.
Gilson, Etienne (1952), El espíritu de la filosofía medieval, Buenos Aires, Emecé
Gurievich, Aron (1990), Las categorías de la cultura medieval, Madrid, Taurus.
Hegel, G. W. F. (1989), Lecciones sobre estética, Madrid, Akal.
Holquist, Michael (1999), "Erich Auerbach and the fate of philology today", Poetics Today, vol. 20, No. 1, pp. 77-91.
Koselleck, Reinhart (1993), Futuro Pasado, Barcelona, Paidós.
Holquist, Michael(2001), Los estratos del tiempo: estudios sobre la historia, Barcelona, Paidós.
Koselleck, Reinhart y Georg-Hans Gadamer (1998), Historia y hermenéutica, Barcelona, Paidós.
Landauer, Carl (1988), "Mimesis and Erich Auerbach self-mythologizing", German Studies Review, vol. 11, No. 1, pp. 83-96.
Le Goff, Jacques (1987), Tiempo, trabajo y cultura en el occidente medieval, Madrid, Taurus.
Le Goff, Jacques(1991), El orden de la memoria, Barcelona, Paidós.
Le Goff, Jacques(1999), La civilización del occidente medieval, Barcelona, Paidós.
Lerer, Seth (1996) (ed.), Literary history and the challenge of philology: the legacy of Erich Auerbach, Stanford, Stanford University Press, 1996.
Linstrum, Eric (2008), "The critic in exile. Rediscovering Erich Auerbach", Yale Review, vol. 96, No. 1, pp. 149-157.
Maine, Barry (1999), "Erich Auerbach's Mimesis and Nelson Goodman's Ways of worldmaking: a nominal(ist) revision", Poetics Today, vol. 20, No. 1, pp. 41-52.
Marramao, Giacomo (2008), Kairós. Apología del tiempo oportuno, Barcelona, Gedisa.
Nuttall, A. D. (2004), "Auerbach's Mimesis", Essays in Criticism, vol. 54, No. 1, pp. 60-74
Panofsky. Erwin (1979), Idea. Contribución a la historia de la teoría del arte, Madrid, Alianza.
Pastoureau, Michel (2006), Una historia simbólica de la Edad Media occidental, Buenos Aires, Katz.
Said, Edward (2004), "Erich Auerbach, critic of the earthly world", Boundary 2, vol. 31, No. 2, pp. 11-34.
Sazbón, José (2002), "La historia en las 'Tesis' de Benjamin: problemas de interpretación", en Historia y representación, Buenos Aires, Universidad Nacional de Quilmes
Steiner, George (2003), "Un grave júbilo. 'Mimesis' de Erich Auerbach", Punto de Vista, No. 77, pp. 43-48
Virgilio (1990), Bucólicas. Geórgicas, Madrid, Gredos.
Voloshinov, Valentin Nikólaievich (1992), El marxismo y la filosofía del lenguaje, Madrid, Alianza.
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Published
2009-06-01
How to Cite
López, D. (2009). Interpretación figural e historia: español. Prismas - Revista De Historia Intelectual, 13(1), 65–88. Retrieved from https://prismas.unq.edu.ar/OJS/index.php/Prismas/article/view/Lopez_prismas13
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